A gorgeously illustrated collection of twelve fairy tales
tales from the hinterland
by Melissa Albert
The voice she heard was so thin and rustling, she could almost believe it was leaves against the window.―
melissa albert, Tales from the hinterland
A gorgeously illustrated collection of twelve fairy tales by the author of The Hazel Wood and The Night Country!
Journey into the Hinterland, a brutal and beautiful world where a young woman spends a night with Death, brides are wed to a mysterious house in the trees, and an enchantress is killed twice―and still lives.
“Lush and deliciously sinister fairytales to be consumed as greedily as Turkish delight or any fairy fruit. I loved these.” ―Kelly Link, author of Get in Trouble
“This inventive, enchanting collection reads like the fairy tales of old, hushed stories passed woman to woman, before the Grimms came and wiped away all the blood.” ―Laura Ruby, author of Thirteen Doorways, Wolves Behind Them All
“The writing is as spare and precise as poetry, connected to the darker, edgier elements of fairy-tale conventions. Albert’s rich and tightly focused collection forms the core of the mythology created in her novels, and her fans will be thrilled at this further glimpse into that world.” ―Booklist, starred review
“Stories fueled by feminist rage, the frustration of being unnderestimated, and the insatiable longing to experience more mark this collection as timely and universal.” ―SLJ
The funny thing about The Hazel Wood (and its sequel) by Melissa Albert is that, for me, the best parts weren’t the main storyline. Nope. The best parts were the undeniably eerie fairy tales come-to-life that bled through into the pages of the books. I told my husband that if a collection of Hinterland tales was every published, I’d be super excited to read it. So, of course I had to snag a copy of Tales from the Hinterland!
These completely original fairy tales were about characters that crossed over from the fictional world into the real one in The Hazel Wood books. And they were as creepy as it gets without descending into full-on horror. Let’s just say that the majority of them did not end well for the “hero”. In fact, most of them didn’t have a hero per se. What they did have was a ton of creativity and a darker tone that sent shivers down the spine.
One thing that stood out to me was that the main characters were all female. There were naïve females, clever ones, even evil ones. But males were always in a supporting role. It was an interesting choice. It didn’t change my enjoyment of the book, either positively or negatively; it was just something I noticed.
Another thing that I really liked was that not a single tale seemed even remotely like an existing fairy tale. There were no Beauty and the Beast retellings, and Little Red Riding Hood didn’t make an appearance. The stories were 100% original. It was refreshing to see entirely new ideas (not that I mind a good fairy tale reimagining).
There wasn’t a single story that felt lesser than or out of place. My main complaint, in fact, is that the tone was similar in several tales. I am not even sure if that should be a complaint: that the stories fit well together. Hmm…something to think about.
There were three stories that stood out to me. One was The Door that Wasn’t There, which was equal parts creepy and sad. It’s about two sisters who were locked in a room to starve and what one of them does to survive (no, there’s no cannibalism. Ew!). The feeling that Melissa Albert created in this story was a little bit gothic and a whole lot of unearthly.
The second story that kept me enthralled was The Mother and the Dagger. This felt like your usual tale told to scare kids into coming home before dark- but with a twist that was uncanny and creeptastic. The way this one was written, like someone is talking to you, stood out from the other stories and drew me in. I loved the ending, which had an abrupt finality to it.
Finally, was Twice-Killed Katherine. That character was one of the bits of fairy tales that showed up in The Hazel Wood, and the one that I found the most intriguing. While the story didn’t go the way I expected, it was nonetheless fascinating and really cool to see the backstory the author had for her. That one also felt different in that what was left unsaid could have been stretched and expanded on to create an entirely separate novel in its own right.
Tales from the Hinterland was by far my favorite book that takes place in the Hazel Wood universe (so to speak), even though it’s not a straight-through narrative. It was eerie and intelligent, and definitely not a book to read alone at night. I wouldn’t necessarily call it horror- maybe horror-adjacent. Either way, it was really stinking good.
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Jodie Crump is the creator of the Witty and Sarcastic Bookclub blog. She either lives in Florida with her husband and sons, or in a fantasy book-she’ll never tell which. When she’s not reading, Jodie balances her time between homeschooling her hooligans, playing Dungeons and Dragons, and lamenting her inability to pronounce “lozenge”. Find her online at Witty and Sarcastic Book Club or Twitter