I am pleased to announce the newest release by author D. Ellis Overttun. Check it out!
What is it about?
Auberon and Natasha, now two of the most wanted criminals on Arkos, have fled to the Westside. They have taken temporary refuge in Edenoud with Dion, son of Heron, as they contemplate their future. However, a dream has prompted them to return to the Eastside to warn First Minister Odessa. What could be so disturbing that would cause them to jeopardize their own safety? Will the First Minister listen or sound the alarm?
The investigation of the incident that took place in the Chamber of Prayers is reaching its conclusion. Tendai Theodor has a sense the report will cast blame on him. Can the power of his
office protect him? To balance the forces he feels are aligned against him, he journeys to the underearth to seek out an ancient and, some say, mythical enemy, the Nephilim. Are they real or just the stuff of legend?
Meanwhile, First Minister Odessa has not lost sight of the inexorable destruction of the universe. While she has continued to support efforts to locate a new home, she has genetically engineered a new servile class and a method to seed them on a planet in advance of the Celesti arrival. But where is this place? The answer lies in a curious conversation that Director Jo’el has with a surrogate for his long missing brother, Davin. It leads to a series of star maps recorded hundreds of thousands of years ago on clay tablets. The Celesti face another problem. They are dying. However, something is happening to Auberon and Natasha that holds promise for the continuation of their species. If it is successful, can it be replicated, or is it an isolated incident?
Prophecy: Eve of Darkness weaves a compelling tale that is a blend of human nature, science, theology and philosophy. It spans the vastness of space from one universe to another and the underground world of Arkos to a distant planet called “Terra Nova”. It holds up a mirror to the human soul, but it will require thought and contemplation to decipher what lies below the surface.coercion and self-discovery.
About The Cover
A prophecy can be a divine message, the interpretation of a divine message or a glimpse of the future. While a receipt of information may not always be clear, it can often provide some transparency. The future, on the other hand, is by its very nature confusing, murky and uncertain. It implies something hidden. That is the mood that this image conjures with hooded robes clothing a featureless, incorporeal being against the outlines of a ghostly body suggested by the background.
We cannot see the focal point of the cover. Yet, it exists. It is a feeling that we are being watched by unseen eyes following us from a faceless, unknowable figure. It creates a sense of foreboding that is the one of the themes of our story.
That dread premonition is clearly expressed by the word “Darkness” in the title as it appears to be shallowed by the negative mirror image of the background.
Loving the Cover? Check out Some of David's Guest Posts
Topic: Author Q&A
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Topic: Author Q&A – Cinematic and Visual Influences
On: The Book Hole
Topic: Background to Universe: Awakening and Excerpt “Wanderer”
On: Zooloo’s Book Diary
Topic: Cover Makeover Genesis: Vision of the New World
On: On The Shelf Reviews
Topic: Universe Excerpt Chapter 66 – The Second Way
On: The Tattooed Book Geek
Topic: Universe Excerpt Chapter 85 – Heron of Edenoud
On: On The Shelf Reviews
About the Author
I grew up in a town in the Midwest. My mother was a bookkeeper for a small HVAC company and my father was a draftsman. At university, I studied chemistry. However, when I graduated, I did not (or could not) pursue that vocation because I was terrible in the lab.
I have been a storyteller ever since I can remember. It started as a way to get out of trouble and evolved as a way to entertain those around me. My first recollection of writing prose was in elementary school when I had to write a short essay about a picture from a magazine. (Mine was a freshly baked loaf of bread.) In grade 7, I penned two short stories for a school writing competition. One was entitled “My Funny Cousin”, a descriptive piece about a relative (a little older than me) who stayed with us one summer. My mother very quickly killed that story. At the time, it didn’t make sense to me because she told me she thought it was very funny. It was only later that I figured out that I could have replaced “Funny” with “Flamboyant” in the title. So, it was back to the drawing board. My second attempt was a collection of anecdotes about the life of my maternal grandfather titled “The Hilarious Things My Grandfather Did”. That one went on to win.
Apart from contests and making my way through school a little easier, I found that writing (especially creative writing) had other uses. In school, I was the proverbial class clown. One time a teacher told me, “One more pun out of you Overttun and you’re out the door!” To which I replied, “Opun the door!” That earned me a string of onehour detentions that would end on completion of a 1,500word essay on any topic of my choosing. So, I chose the great outdoors. It was a story about a lumberjack. It went sort of like this, “Jack the lumberjack was a lumberjack. Everyday, Jack the Lumberjack would go out into the woods to do what lumberjacks do best. They chop trees. When Jack the Lumberjack found one, Jack the Lumberjack took his ax and went chop, chop, chop, chop, chop…” Needless to say, while I met the strict requirements of the essay, it was disqualified. In its place, I penned something very wordy about getting up in the morning and going through a normal school day.
My first complete novel was a story about a soldier of fortune in the age of horse and bow. At the time, I had contact with people in the entertainment business in California. The feedback I got was that I should take one of the chapters and expand it into a novel. That made no sense to me. What the heck did that mean? How could you expand something so small into something big? So, I never pursued it. However, the comment stuck with me. It was only much later that I figured out that it meant that I should never rush the telling of a story.