After years of self-imposed exile from a civilization rife with degradation and indecency, cynical journalist Spider Jerusalem is forced to return to a job that he hates and a city that he loathes. Working as an investigative reporter for the newspaper The Word, Spider attacks the injustices of his surreal 23rd Century surroundings. Combining black humor, life-threatening situations, and moral ambiguity, this book is the first look into the mind of an outlaw journalist and the world he seeks to destroy.
- 5 out of 5. I mean c’mon this is a classic.
- 144 pages
- Published February 1st 1998 by Vertigo (first published January 1998)
- Original Title Transmetropolitan, Vol. 1: Back on the Street
- ISBN1563894459 (ISBN13: 9781563894459)
- Edition Language English
- URL http://www.dccomics.com/vertigo/graphic_novels/?gn=1719
- Series Transmetropolitan (Collected Editions) #1, Transmetropolitan (BR) #1
- CharactersSpider Jerusalem, Channon Yarrow, Mitchell Royce, Fred Christ
- Setting United States of America
A side note. This is a reread for me that I had the utmost fun doing it with Paul at Paul’s Picks. It was terrific to see Spider through the eyes of someone else, and I want to thank Paul for taking a chance on one of my favorite books.
“TRUTH comes easier when you’re nine years old, too. Everything’s a lot less complicated. This or that. Us or them. Truth or lie.”Warren Ellis, Transmetropolitan, Vol. 1: Back on the Street
Spider is the hero you did not know that you needed. Brash and deranged, Spider yells at the top of his lungs things that make you uncomfortable. And, if you are nervous? Good. Scared to exams painful truths? Good. Because the truth is coming for you, and Spider is going to bringing it with the fervor and intensity of a bulldog on crystal meth.
Transmetropolitan was written twenty-one years ago, published by DC Comics between 1997 – 2002, but it might as well been written yesterday for how current and prescient it is. The story is built around the antics of our protagonist and antihero, an investigative journalist named Spider Jerusalem. He is tattooed, brash, brilliant, sarcastic, caustic, drug addicted, and a wild man of journalists fervor. Often drawn wearing a pair of stereoscopic sunglasses, one red lens, and the other green while streams of smoke curl out of his nostrils and usually sporting a scowl of discontent while gesticulating wildly at the idiocy of passers-by. Describing him, he sounds like a lunatic when in actuality he is the reincarnation of gonzo journalist Hunter S. Thompson dropped into the 23rd century.
The first six issues of the 60 issue story make up Vol. 1 Back in The Streets. It is written as Spider is getting his feet under him after a five-year voluntary sabbatical. Called back to finish his book deal with his editor, lovingly known as Whorehopper, he unwillingly reenters The City and society and is equal parts horrified and fascinated by it. The City, as it is referred to, is Id and hedonism run amok puked out in a cyberpunk Technicolor fever dream. If you can dream it, and have the money, you can do it. All of which sounds impressive when tempered with wisdom and ethics. However, The City is neither of those things. Spider is constantly reminded of why he hid in the wilderness and eschewed all human contact.
Issue three of Volume 1 talks about Spider’s first story back into the throes of journalism. He is covering a pseudo-alien messiah named Fred Christ, as he represents the Transcience movement. The Transience movement being a subculture of body modification fetishists who use technology to change themselves to something resembling a new species. In this case, adapting aspects of an alien species. Fred Christ’s base is located in the Angel 8 district of The City. After Spider burns a transient guard in the eye with a cigarette, Spider notices how tense the Transient population is. It is a powder keg ready to blow. Spider finds Fred Christ and has a brief interview with him where Spider basically eludes that Fred is puffed up with fake power and that the government is going to come down and stomp out this little movement of Freds.
Here is where the writing shines. Eventually, the government does get with the stomping, and Spider gets right in the middle of it and live blogs. He brings the gritty moment to moment of the brutal beating of the Transient population by an uncaring police authority to the people. Eventually, this sways the audience gawking at this display via Spider’s writing and causes a public outcry shutting down the beating. Spider helped. I don’t think he intended to help but to speak the truth as he saw it; however, his truth saved some transient people.
God, I love Spider Jerusalem. He is everything I wish Journalists still were. Raw, uncut assholes who search for the truth as they see it no matter what they have to go through. In the politically charged climate of now, it seems that those who speak truth to power are not the journalists as we used to know them, but bloggers and users of Twitter.
“- You know what this is?
– It’s a bowel disruptor.
And you are just full of shit.”
WARREN ELLIS, TRANSMETROPOLITAN,
VOL. 1: BACK ON THE STREET
The question is “Should you read this?” Should you delve into the gritty world of Spider and meet with the truth on his terms. I am of a resounding yes, there is a reason why he is a classic graphic novel series. I think the world needs Spider Jerusalem’s even if he is just ink and ideas. All Hail Spider Jerusalem!
Paul and Myself’s Running Issue Commentary
Paul – #1. What the hell had Beth got me into?!?! Transma-What?!?! Ok. So there’s this guy who lives in a house on a mountain. Spider Jerusalem been there for 5 years, sorta paranoid, hermit style. He was an author/journalist, but still owes his publisher 2 more books on the contract. He needs money and inspiration.He gets in his car and drives back to the rat race in the big city, and yes, he has a rat as a passenger and bombs his local bar on the way… yet, as he crosses the city line, his journalistic blood starts pumping. Itching for a story.
What a character! I’m not really sure what the story will bring, but I know I will like Spider’s vicious one-liners and outlandish ravings. I can already tell that Ellis and Robertson have created a crazy-clever future world of greed, vice, and dark speculation…
Beth – #1. It’s crazy! Spider is who I think most journalists want to be. He is living on all sorts of edges trying to get the truth, the real story. I think #1 and most of #2 are just giving you background on who he is and where he comes from. Hirsute crazy dude living on a mountain, no human contact because he hates people. Has to come back to “The City” two write two books, plus earn enough money to love. Earning money means finding stories. The one-liners are amazing.
‘you worthless scrap of frogshit with a pulse and a bit of authority.” I agree this world is greed, and vice run amok. It is if you took the Id of the general population and laid it out on the table for everyone to see. It reminds me a lot of this scene from Fear and Loathing
Paul – #2. Spider’s first story is an investigation into transcience… a body mod movement that has spliced alien genomes into people and created humanoids who are ‘between bodies.’ Not allowed jobs and forced to live in slums, the transcients are two steps away from government annihilation. An interview with their leader, Fred Christ, gives Spider the insight he needs. This is a story arc with mordern-day implications. An ‘other,’ a people who have chosen to have body modification and are deemed different and illegal. I’m wondering what role Spider will play in this as a journalist. And how he will help these people. Lots of thoughts going on. Can’t wait to get read another issue tomorrow night.
Beth – #2. It is current, right? The things spiders sees and the insight he has can be directly laid on top of our current political climate.
“I don’t have to put up with thus shabby crap! I’m a journalist!”
Having read this before, and with the reread I am catching so much more than I did the first go through. It is almost like I am reading a brand new story.
Paul – #3.
A transient riot has been manufactured and Spider speeds to the neighborhood to report the brutality handed down by the police. The power of Spider’s pen is about to be unleashed!
This is a great issue that really helps the reader see past the image of the main character to what he is actually capable of. His ‘superpower’ of reportage. The ability to expose corruption, and we find that the plot will not be as simple as we maybe first thought.
Beth – #3. Yes, the power of the written word and of truth. For all of spider’s bluster and screwing up things and people, he has a real gift of getting t the heart of a matter and explaining it to the people. He isn’t all bluster and bravado. I think if he were his publisher would not give two shits about him. I am so glad this is connecting with you. Spider is one of my favorite characters.
This story is about fist clenching stomach churning anger. Anger at the system that we are all involved in, the mass media, commercialism – but mainly I think this story is outrage and a desire to not just lash out but to make things better. Spider at his venomous little heart wants to use the truth to set people free. Whether that truth is painful or not. It is still the truth, and because of his journalistic integrity and his give no fucks attitude he wants to rip the band-aid off peoples wounds and sally forth.
Paul – #4. A new assistant and a meeting with the president. Spider has a chance to mentor a young journalist in the art of The Truth. And then during an unexpected chance meeting with the president, he gets a couple shots in.
The entrance of a tutee enables Ellis to open up Spider’s many thoughts on the role of the press… and yes, Beth is correct, even though published 20 years ago, Transmetropolitan is buzzing with current issues. Spider’s accusations of the presidents nefarious behavior is a front page story in many present-day newspapers.
I’m wondering where this will go. What is Jerusalem’s endgame?
Beth – #4. I really like the young journalist. She makes a perfect counterpoint to Jerusalem’s antics. Where spider is spastic, Channing is more measured. Probably no less nuts, but at least she is more measured in her actions.
I am not sure at this point Spider has an endgame except to expose the truth from as any nefarious characters as possible. It doesn’t even phase Spider that the president might not be a person who he should screw with. Or the cops as we found out the last issue. Bring them all down!
Paul – #5. This issue doesn’t move the plot forward too much, but it certainly utilized Spider/Ellis’s fangs when it comes to popular culture and media. Jerusalem decides he needs to hunker down and really do some research into the culture of The City. So, he promptly turns on the TV and starts flipping through the channels. Reality TV shows like Cops and the sexualization of advertising are parodied and lampooned to the extreme. He also takes some shots at the talk show circuit. Funny stuff!!!
And I definitely agree with Beth. Spider’s assistant is perfect. She gives it right back to him and then some. He was attacked by angry police a couple issues ago, and she seems to know that his antics will garner only more recourse from the authorities. What protections will he have and will his words be enough to combat the powers that be?
Beth – #5. This issue is pure holding pattern, very funny but I think it is setting us up for the next issue. It doesn’t move the plot forward as it is for having Spider acclimate back into popular culture via TV. Which is pretty much the cesspool of popular culture. Spider responds in the typical Spider fashion by lashing out and attacking lies that he hears. This time via call-in radio/television shows. My favorite part of this issue is where an advertising bomb exploded in his head so he dreams advertisements. I know that I have gotten jingles stuck in my head for days at a time so I can relate.
Paul – #6. The New Religious Movement Convention! Oh boy. What’s Spider going to do here? ‘Fucking Vampires…’Many ‘truths’ out there and our man has decided to rough up the convention goers. Shake em up and crack some skulls while he’s at it. Whoa!Quick aside. I was very happy that Channon punched Spider in the nose in this issue. Ok, maybe not literally, but she got him to shut up for a minute and listen.
The first six issues have established Spider and Channon’s characters, and given them at goal/ mission. His character develops further while he flings his philosophy around the city, and we are exposed to the currents in society… media, religion, and alien infusion. A mindwarping title that I suspect is only going to get better. And I dare say that as Beth and I have discussed, this comic will hold up for a long, long time.
Beth – #6 This is Spider in his element. Ample opportunity to dissect the masses and fling his philosophy around like he is sprinkling the masses with holy water. It would be preachy if it weren’t so damn good. The writing is fantastic. Ever see that scene on Newsroom where the lead answers a question that generally would be verboten. “Why is American the greatest country in the world?” It would be preachy or awful as if the writers of the series going on a rant, but it isn’t. It is amazingly well written, so good that you are stunned into silence.
That has been this volume for me. It could have gone the preachy, ranty path but instead, we have a crazy character, great journalism, and writing.
Do you think there are any gonzo journalists left?
What would a city look like if it was all hedonism and money? How would someone speak truth to power?
I checked out a copy of this from the library as a buddy read with Paul.
About the Author
Warren Ellis is the award-winning writer of graphic novels like TRANSMETROPOLITAN, FELL, MINISTRY OF SPACE and PLANETARY, and the author of the NYT-bestselling GUN MACHINE and the “underground classic” novel CROOKED LITTLE VEIN. The movie RED is based on his graphic novel of the same name, its sequel having been released in summer 2013. His graphic novel GLOBAL FREQUENCY is in development at Jerry Bruckheimer TV for the Fox network, and his GRAVEL books are in development for film at Legendary Pictures, with Tim Miller attached to direct. IRON MAN 3 is based on his Marvel Comics graphic novel IRON MAN: EXTREMIS. He’s also written extensively for VICE, WIRED UK and Reuters on technological and cultural matters, and is co-writing a video project called WASTELANDERS with Joss Whedon that will appear some time before we both die.. He is serialising a new graphic novel, TREES, with artist Jason Howard, through Image Comics. Warren Ellis is currently working on a non-fiction book about the future of the city for Farrar Giroux Straus. His newest publication is the digital short-story single DEAD PIG COLLECTOR, from FSG Originals. His next book will be the novella NORMAL, also from FSG.
A documentary about his work, CAPTURED GHOSTS, was released in 2012.
Recognitions include the NUIG Literary and Debating Society’s President’s Medal for service to freedom of speech, the EAGLE AWARDS Roll Of Honour for lifetime achievement in the field of comics & graphic novels, the Grand Prix de l’Imaginaire 2010, the Sidewise Award for Alternate History and the International Horror Guild Award for illustrated narrative. He is a Patron of the British Humanist Association, an Associate of the Institute of Atemporal Studies, and the literary editor of EDICT magazine.
Warren Ellis lives outside London, on the south-east coast of England, in case he needs to make a quick getaway.